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Color of Fire : flute part
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• Part, Arvo
• Day Of Fire
• Arcade Fire
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You've selected:
Color of Fire : flute part
Sheetmusic to print
14 sheet music found
<
1
Color of Fire : flute part
Color of Fire : flute part
#
Flute
#
INTERMEDIATE/ADVANCED
#
Julia Muench
#
Julia Muench
#
Color of Fire : flute part
#
NJ Original Music
#
SheetMusicPlus
Flute Solo - Level 4 - SKU: A0.940754 Composed by Julia Muench. Arranged by Julia Muench. Concert,Contemporary,Standards. Individual part. 3 pages. NJ O...
(+)
Flute Solo - Level 4 - SKU: A0.940754 Composed by Julia Muench. Arranged by Julia Muench. Concert,Contemporary,Standards. Individual part. 3 pages. NJ Original Music #4356551. Published by NJ Original Music (A0.940754). Here is the flute part for this trio for flute, cello and piano. Advancing intermediate level, it is full of enigmatic energy with it's playful hemiola rhythms, and interplay between the three instruments. Fascinating addition for an encore or for a larger recital performance.
$3.99 ≈
3.72€
Color of Fire (Trio)
Color of Fire (Trio)
#
Julia Muench
#
Julia Muench
#
Color of Fire
#
NJ Original Music
#
SheetMusicPlus
Small Ensemble Cello,Flute,Piano Accompaniment - Level 4 - SKU: A0.940757 Composed by Julia Muench. Arranged by Julia Muench. Concert,Contemporary,Stand...
(+)
Small Ensemble Cello,Flute,Piano Accompaniment - Level 4 - SKU: A0.940757 Composed by Julia Muench. Arranged by Julia Muench. Concert,Contemporary,Standards. Score and parts. 12 pages. NJ Original Music #4285509. Published by NJ Original Music (A0.940757). Color of Fire is an advancing intermediate instrumental trio, infused with enigmatic energy and playful hemiola rhythms. Fascinating interplay between the three instruments: Flute, cello and piano. May be an encore or for part a larger recital performance.
$15.00 ≈
14.00€
Color of Fire : cello part
Color of Fire : cello part
#
Cello (band part)
#
INTERMEDIATE/ADVANCED
#
Julia Muench
#
Julia Muench
#
Color of Fire : cello part
#
NJ Original Music
#
SheetMusicPlus
Cello Solo - Level 4 - SKU: A0.940756 Composed by Julia Muench. Arranged by Julia Muench. Concert,Contemporary,Spiritual,Standards. Individual part. 3 p...
(+)
Cello Solo - Level 4 - SKU: A0.940756 Composed by Julia Muench. Arranged by Julia Muench. Concert,Contemporary,Spiritual,Standards. Individual part. 3 pages. NJ Original Music #4356553. Published by NJ Original Music (A0.940756). Here is the cello part for this trio for flute, cello and piano. Advancing intermediate level, it is full of enigmatic energy with playful hemiola rhythms, and interplay between the three instruments. Fascinating addition for an encore or for a larger recital performance.
$3.99 ≈
3.72€
Color of Fire : piano part
Color of Fire : piano part
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Julia Muench
#
Julia Muench
#
Color of Fire : piano part
#
NJ Original Music
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.940758 Composed by Julia Muench. Arranged by Julia Muench. Concert,Contemporary,Spiritual,Standards. Score. 5 pages. NJ O...
(+)
Piano Solo - Level 4 - SKU: A0.940758 Composed by Julia Muench. Arranged by Julia Muench. Concert,Contemporary,Spiritual,Standards. Score. 5 pages. NJ Original Music #4356555. Published by NJ Original Music (A0.940758). Here is the piano part for this trio for flute, cello and piano. Advancing intermediate level, it is full of enigmatic energy with playful hemiola rhythms, and interplay between the three instruments. Fascinating addition for an encore or for a larger recital performance.
$3.99 ≈
3.72€
Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
#
Flute and Piano
#
INTERMEDIATE
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred...
(+)
Flute,Piano - Level 3 - SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499833. Published by jmsgu3 (A0.549473). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.BackgroundOp.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt.FormsLikewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality.PhilosophyScriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys.SynesthesiaHe also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. MultimediaHence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain.Modern PerformancesIn modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95 ≈
18.62€
Scriabin: Prelude Op. 11 No. 2 for Flute & Piano
Scriabin: Prelude Op. 11 No. 2 for Flute & Piano
#
Flute and Piano
#
INTERMEDIATE
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549464 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred...
(+)
Flute,Piano - Level 3 - SKU: A0.549464 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499727. Published by jmsgu3 (A0.549464). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95 ≈
18.62€
Ancient Echoes of Time: 2nd Flute
Ancient Echoes of Time: 2nd Flute
#
Flute (band part)
#
Instructional
#
Douglas E
#
Festival.
#
Ancient Echoes of Time: 2nd Fl
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0016877_F2 2nd Flute. Composed by Douglas E. Wagner. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Mu...
(+)
Full Orchestra - SKU: AX.00-PC-0016877_F2 2nd Flute. Composed by Douglas E. Wagner. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016877_F2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016877_F2). UPC: 038081496511.This dynamic and colorfully scored original is a sure-fire choice for concert or contest. Expansive harmonies and soaring tunes combine to present an imaginative musical landscape that explores the tonal facets of the orchestra. Playable by strings alone or full orchestra. (3:00)Concert/Contest; Festival.
$3.00 ≈
2.80€
Scriabin: Prelude Op. 11 No. 2 for Bass Flute & Piano
Scriabin: Prelude Op. 11 No. 2 for Bass Flute & Piano
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2
#
jmsgu3
#
SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549474 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional...
(+)
Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549474 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3499839. Published by jmsgu3 (A0.549474). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95 ≈
18.62€
Ancient Echoes of Time: Flute
Ancient Echoes of Time: Flute
#
Orchestra
#
Instructional
#
Douglas E
#
Festival.
#
Ancient Echoes of Time: Flute
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0016877_F1 Flute. Composed by Douglas E. Wagner. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music ...
(+)
Full Orchestra - SKU: AX.00-PC-0016877_F1 Flute. Composed by Douglas E. Wagner. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016877_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016877_F1). UPC: 038081496511.This dynamic and colorfully scored original is a sure-fire choice for concert or contest. Expansive harmonies and soaring tunes combine to present an imaginative musical landscape that explores the tonal facets of the orchestra. Playable by strings alone or full orchestra. (3:00)Concert/Contest; Festival.
$3.00 ≈
2.80€
La Rejouissance (from Royal Fireworks Music): Flute
La Rejouissance (from Royal Fireworks Music): Flute
#
Orchestra
#
Classical
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George Frideric Handel
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Richard Meyer
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La Rejouissance
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0001598_F1 Flute. Composed by George Frideric Handel. Arranged by Richard Meyer. Classical. Part. 1 pages. Alfred ...
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Full Orchestra - SKU: AX.00-PC-0001598_F1 Flute. Composed by George Frideric Handel. Arranged by Richard Meyer. Classical. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001598_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001598_F1). UPC: 038081329093.Combine this festive movement with the First Philharmonic arrangements of Handel's Hornpipe and Hallelujah Chorus for a wonderful suite honoring the great Baroque master! In addition to wonderful tutti writing, the string section and wind section are featured on their own in this colorful arrangement, which makes a perfect opener to any concert. All string parts are playable in first position, with optional shifting for first violin and string bass. (1:30) This title is available in SmartMusic.List/syllabus: TX UIL PML: Orch, Strings, GuitarConcert/Contest.
$3.00 ≈
2.80€
In the Waters Shimmering
In the Waters Shimmering
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Flute Quartet: 4 flutes
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Daniel Baldwin
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In the Waters Shimmering
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Imagine Music - Digital
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SheetMusicPlus
Flute quartet - SKU: IZ.IMF188 Composed by Daniel Baldwin. Score and Parts. 16 pages. Imagine Music - Digital #IMF188. Published by Imagine Music - Digi...
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Flute quartet - SKU: IZ.IMF188 Composed by Daniel Baldwin. Score and Parts. 16 pages. Imagine Music - Digital #IMF188. Published by Imagine Music - Digital (IZ.IMF188). 9 x 12 in inches.Centuries ago, the elements (earth, water, wind, fire) were proposed to explain the nature and complexity of all matter. It was believe that all of existence sprang from these elements. This quartet in four movements is a music depiction of this philosophical idea long since rejected by modern science.Of Wind and Wings begins with rapid-fire rhythmic chord progressions that lead into a kaleidoscope of colors. Each part is featured at some point. Of Wind and Wings portrays the beauty of what it must be like to soar across the skies and feel the wind beneath your wings.Within the Flame is a soulful representation of the fire element. After an opening chorale depicting a look into a small, calm flame, the movement takes off with the flames reaching ever higher and higher. The movement ends as it began, with a calm, soulful chorale.In the Waters Shimmering looks directly into the shimmering reflection of the sunlight in water. A beautiful lyrical theme is passed around the quartet surrounded by various chorales and duets. One last lovely chorale moment brings the movement to its conclusion.To the Land Beyond, a depiction of the earth element, is full of sparking flourishes and rhythmic interest. This movement is a joyous celebration of nature, life, and all its beauty.Originally written as four individual pieces, but always intended to be a set, The Elements can be performed as individual movements or can be performed as a full four movement presentation.
$12.00 ≈
11.20€
Within the Flame
Within the Flame
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Flute Quartet: 4 flutes
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Daniel Baldwin
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Within the Flame
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Imagine Music - Digital
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SheetMusicPlus
Flute quartet - SKU: IZ.IMF187 Composed by Daniel Baldwin. Score and Parts. 24 pages. Imagine Music - Digital #IMF187. Published by Imagine Music - Digi...
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Flute quartet - SKU: IZ.IMF187 Composed by Daniel Baldwin. Score and Parts. 24 pages. Imagine Music - Digital #IMF187. Published by Imagine Music - Digital (IZ.IMF187). 9 x 12 in inches.Centuries ago, the elements (earth, water, wind, fire) were proposed to explain the nature and complexity of all matter. It was believe that all of existence sprang from these elements. This quartet in four movements is a music depiction of this philosophical idea long since rejected by modern science.Of Wind and Wings begins with rapid-fire rhythmic chord progressions that lead into a kaleidoscope of colors. Each part is featured at some point. Of Wind and Wings portrays the beauty of what it must be like to soar across the skies and feel the wind beneath your wings.Within the Flame is a soulful representation of the fire element. After an opening chorale depicting a look into a small, calm flame, the movement takes off with the flames reaching ever higher and higher. The movement ends as it began, with a calm, soulful chorale.In the Waters Shimmering looks directly into the shimmering reflection of the sunlight in water. A beautiful lyrical theme is passed around the quartet surrounded by various chorales and duets. One last lovely chorale moment brings the movement to its conclusion.To the Land Beyond, a depiction of the earth element, is full of sparking flourishes and rhythmic interest. This movement is a joyous celebration of nature, life, and all its beauty.Originally written as four individual pieces, but always intended to be a set, The Elements can be performed as individual movements or can be performed as a full four movement presentation.
$16.00 ≈
14.93€
To the Land Beyond
To the Land Beyond
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Flute Quartet: 4 flutes
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Daniel Baldwin
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To the Land Beyond
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Imagine Music - Digital
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SheetMusicPlus
Flute quartet - SKU: IZ.IMF186 Composed by Daniel Baldwin. Score and Parts. 32 pages. Imagine Music - Digital #IMF186. Published by Imagine Music - Digi...
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Flute quartet - SKU: IZ.IMF186 Composed by Daniel Baldwin. Score and Parts. 32 pages. Imagine Music - Digital #IMF186. Published by Imagine Music - Digital (IZ.IMF186). 9 x 12 in inches.Centuries ago, the elements (earth, water, wind, fire) were proposed to explain the nature and complexity of all matter. It was believe that all of existence sprang from these elements. This quartet in four movements is a music depiction of this philosophical idea long since rejected by modern science.Of Wind and Wings begins with rapid-fire rhythmic chord progressions that lead into a kaleidoscope of colors. Each part is featured at some point. Of Wind and Wings portrays the beauty of what it must be like to soar across the skies and feel the wind beneath your wings.Within the Flame is a soulful representation of the fire element. After an opening chorale depicting a look into a small, calm flame, the movement takes off with the flames reaching ever higher and higher. The movement ends as it began, with a calm, soulful chorale.In the Waters Shimmering looks directly into the shimmering reflection of the sunlight in water. A beautiful lyrical theme is passed around the quartet surrounded by various chorales and duets. One last lovely chorale moment brings the movement to its conclusion.To the Land Beyond, a depiction of the earth element, is full of sparking flourishes and rhythmic interest. This movement is a joyous celebration of nature, life, and all its beauty.Originally written as four individual pieces, but always intended to be a set, The Elements can be performed as individual movements or can be performed as a full four movement presentation.
$20.00 ≈
18.67€
Be Thou My Vision
Be Thou My Vision
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Chamber Orchestra
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EASY
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Celtic/Irish
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Traditional Irish Folk Tune
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Robert Myers
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Be Thou My Vision
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WheatMyer Music
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.1342596 Composed by Traditional Irish Folk Tune. Arranged by Robert Myers. Celtic,Irish,Sacred,Traditional. 60 pag...
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Chamber Orchestra - Level 2 - SKU: A0.1342596 Composed by Traditional Irish Folk Tune. Arranged by Robert Myers. Celtic,Irish,Sacred,Traditional. 60 pages. WheatMyer Music #928096. Published by WheatMyer Music (A0.1342596). From hymnary.org: SLANE is an old Irish folk tune associated with the ballad With My Love on the Road in Patrick W. Joyce's Old Irish Folk Music and Songs (1909). It became a hymn tune when it was arranged by David Evans (PHH 285) and set to the Irish hymn Be Thou My Vision published in the Church Hymnary (1927). SLANE is named for a hill in County Meath, Ireland, where St. Patrick's lighting of an Easter fire–an act of defiance against the pagan king Loegaire (fifth century)–led to his unlimited freedom to preach the gospel in Ireland.This setting of SLANE takes a variations approach to the tune with three recognizable but distinct interpretations. The first is an intimate and contemplative interpretation, followed by a jig, which is fitting for the tune's Irish background, and the third is a majestic chorale. Snippets of Guide Me, O Thou Great Jehovah (CWM RHONDDA) appear during interludes.This arrangement was written for a smaller ensemble, recognizing that few church orchestras have a symphonic size string section. It features alto flute and solo violin carrying the melody or providing colorful counterpoint. Other than these featured players other instruments are hardly asked to carry an independent line. Doubling is prevalent allowing for a lot of flexibility in instrumentation and coverage of missing parts or the director may specify strategic tacets to present additional color and texture. Optional doubling parts are provided for alto (dbls. alto flt.) and tenor saxophone (dbls. Cl. 3).
$75.00 ≈
70.00€
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Color of Fire : flute part
